Description
In Buddhism, monks are particularly important in Thailand, occupying a significant place in Thai society, where life still largely takes place in the temple. Many Thais have an image of a Buddha in their homes, but often also of a monk with significant significance. These are often monks from the past who have done much good and should not be forgotten. The statues of monks are true works of art, crafted by skilled artists from wax and fiberglass. Because high-quality resin is used today, the statues are less susceptible to higher temperatures and remain beautiful in the homes of average Thai families, which often lack air conditioning. The production process is quite complicated. First, a model is made, from which a negative is then made, from which a plaster cast is made using a latex mold. This positive image will later be used to make a one-time cast of the actual artwork. The main mold is filled with resin and allowed to harden. (Arms, legs and head are cast separately to prevent breakage) Later everything is put together and the statue is worked on with special tools to give it a lifelike appearance, birthmarks and tattoos are applied and the hairs are carefully attached to the head one by one and finally the clothes are made to measure.
The most beautiful wax monks are in the museum in Nakhon Pathom.
Luang Phor (Respected Father, in Thai) Tuad was born in Songkhla province in southern Thailand in 1582. Luang Phor's parents were poor farmers of Chinese descent. They named Puu Hun son – which means "crab" in Thai. Both his parents were devout Buddhists and were therefore likely pleased when their son began to develop an interest in spirituality at an early age. Luang Phor Tuad returned to Songkhla as a renowned monk – he also had His Majesty the King's blessing to restore the Pha Khoh temple, which had fallen into disrepair. He eventually became the abbot of Wat Changhai in Pattani. Luang Phor became renowned for his psychic powers, and many miracles are attributed to him. He died at the age of 120.
